If successful, the tactic could work to her advantage, as touring is one of the largest income streams for musicians — it propelled Katy Perry to the third spot on Forbes’ “Celebrity 100.” Musicians like Perry, performing date after date in a massive arena show, can gross seven figures per stop, and Perry made 124 stops in 27 countries. Much of her estimated pretax earnings of $135 million was the result of these huge appearances. While she’s not quite Katy Perry, if Adele’s previous — and prospective — album sales are any indicator of the market, she could stand to earn millions. That is, if her voice holds up — vocal cord hemorrhages are not uncommon for singers with big voices and bigger audiences. Meghan Trainor postponed and eventually cancelled the tail end of her summer tour this year for surgery, and Sam Smith cancelled his Australian tour dates to rest his voice after a minor hemorrhage.

In contrast, cosmetics endorsements often start around six figures, increasing into the low-seven figures for the most high-profile celebrities and biggest brands. (Perry’s endorsements with the likes of CoverGirl fall in the latter category.) So the impact of Adele’s streamlined approach is twofold: She keeps all eyes on her music (and all eyes are on her music), and she focuses more on the areas of her music career that, ultimately, could be the more lucrative options. Adele’s decision to emphasize performance and music in lieu of endorsements spares her being branded a sell-out and will likely rake in the bigger sums.